Unlike almost every other author and book I have reviewed here, Nigella Lawson needs no introduction. She is celebrated and revered from Osaka to Oslo and everywhere in between.
She has sold millions of copies of her 12 cookbooks. These books have been translated into countless languages and been made into TV programmes. She has been called the queen of the frozen pea, of the traybake. She is casually referred to as the Domestic Goddess. She has driven food trends.
Her abiding love of food, and a certain emphasis on how sensual and evocative food can be, has made her a cultural icon. She is referenced in films and movies and podcasts and other books. She appears on TV shows, as a judge or a host, with impressive regularity.
She carries a tube of Coleman’s mustard in her bag with her at all times.
To live in 2017 is to be aware of Nigella.
Her latest book, At My Table, came out only recently. This was a happy occurrence, but especially in the context of having recently published my review of Diana Henry’s Simple. In that review I made some claims that I preferred Henry’s food. Drunk on the awesome power of semi-anonymous internet writing, I even went a bit further and accused Nigella of producing recapped that could sometimes be a little lacking in terms of flavour and excitement.
Now, like every other internet writer, I subscribe to the strictest set of ethics and principals. I could no more publish a lie as I could enjoy raw capsicum in a salad. Or cooked capsicum in a curry. Or capsicum on a pizza. Or in any other form except blitzed into a million pieces as a sauce or salsa. This statement of preference was an honest one.
And yet, reader, putting this claim out in the world niggled at me over the following weeks. It seemed to fly in the face of my professed admiration for Nigella, and all that she has done for food. It introduced an unpleasant ideological tension that threatened to remain unresolved.
When I received my copy of At My Table, I flicked through with some trepidation. I was expecting to find food similar to the clean and simple flavours of 2015’s Simply Nigella (a beautiful book with food that simply does not summon a trace of excitement in me). As I got deeper and deeper into the book something wonderful happened: my doubt faded away and I started to smile. This was the Nigella I always wanted to see. These are the recipes I want to make! Finally, I felt there was a chance to have my cake and eat it too: I could both love the idea and image of Nigella as well as love her recipes and food.
Structure and Design
Hardcover. A silver ribbon.
288 pages split across the following chapters:
Well, ahem, not this time.
In this book Nigella has abandoned all chapters and gone with a stream of consciousness freeform presentation. Recipes are roughly arranged in order of the food one would want to eat first thing in the morning and ending in what you might want to eat at the very end of a day.
I almost panicked. It sounds like such an odd, unfriendly decision that would make the cookbook impossible to navigate and to conceptualise. And yet, as begins to be the dominant theme of this book, it not only works but works quite well.
And when it occasionally feels a bit difficult to either find something specific or to maybe get some inspiration, right at the front of the book there is a contents page that gives you every recipe in a single double page spread. I applaud Nigella and her superstar designer, Caz Hildebrand for the decision.
After heaping praise on Simply Nigella’s design, I must confess I think this is an odd looking book. The cover feels old fashioned. I respect not buying into the look of every other 2017 cookbook, but I struggle to find a positive thing to say about the cover. Well, it is a wonderful photo of Nigella, I suppose, caught midway through strangling some naughty sourdough.
I am lukewarm about the design of the rest of the book. I like the continued signature use of Futura. I dislike the serif font this has been accompanied by, and the mid-grey colour used. The combination of a dusky pink and an odd grey is hard to read and unpleasant.
The photography, from the renowned Jonathan Lovekin, is also I think somewhat variable, although never quite bad, even at its least inspiring. There are a few exceptional, memorable shots, which are a delightful to see. And then there are the rest of the shots in the book which feel occasionally dated, as if they were conceived of in a slightly different era.
I simply cannot say if the design of this book is the real Nigella, or is rather some conception of what a book about home cooking should look like. I can say that the design of this book does not speak to me, which is a pity given the recipes therein.
This feels like Nigella’s most personal book yet. I have no way of knowing how true this is. But between the design, the recipe selection, the headnotes and introductions, and the two episodes of the accompanying TV show I’ve sneakily managed to view, I am left with an impression of this book being a pure distillation of Nigella.
As such I am delighted to report that the recipes in this book are very good. Cookbooks are always victim to the tension between whatever is new and current on one hand and that which is familiar and reliable on the other. Generally, cookbooks that try to appease one of these polar opposites at the expense of the other do not work well.
At My Table strikes an appealing balance in this regard. Yes, we get nods at that which is au courant: coconut oil and coconut yogurt are frequent visitors, and aleppo pepper gets a big push. But at the same time, we also get a nice serve of recipes from the other side of the spectrum: a queen of puddings is straight out of a meal at Toad Hall.
Happily, a great deal of success can be found in recipes from the breadth of this spectrum. We should pause to acknowledge this achievement and indeed celebrate all those who dedicate themselves to mastery of their craft: Nigella does something very wonderful, where she improves and refines her voice and vision in a seamless way. There is no jarring ‘old’ Nigella and ‘new’ Nigella. Instead, we feel rather than notice improvement.
I do wish there were slightly more vegetable based main dishes. Not that there are none, but those that exist do tend towards simpler flavours. We have all been spoiled by such excellent vegetable based recipes over the past few years that the ones here feel a little, well, uninspired.
This said, the bulk of recipes are interesting and compelling and delicious. It is food that lends itself to happy celebrations around a large table. Food should be this joyous and fun all the time. This feeling is At My Table’s real achievement, and I congratulate Nigella for producing something so lovely.
Here is a sample of what we have cooked so far (there is a sad omission of anything from the desserts section—our oven died at the most inopportune time.)
- Turkish Eggs (Every book has the recipe. The one that you turn to again and again. The page that becomes dirtier than all the others. This is the recipe for this cookbook. Poached eggs on a garlic yogurt bed, topped with aleppo pepper butter.)
- Golden Egg Curry (Curries in past Nigella books have been somewhat less adventurous in their flavour profiles than I would prefer. This, however, was bold and aromatic and delicious.)
- Catalan Toasts (not an improvement on my standard pan con tomate recipe. But certainly not bad.)
- Beef and eggplant fatteh (If you like textural contrast, please make this. If you like delicious food, please make this. It is easy, it makes an excellent lunch the next day, it is delicious.)
- Pasta with anchovies, tomatoes, mascarpone (I have long maintained that the only good tomato sauce is one that is cooked down and reduced, such that the flavour of unexceptional tomatoes becomes exceptional. This sauce was a clever way of creating a pasta dish that is savoury, rich enough and with a lot of personality without having to cook the thing for five years. I did fail in finding the nominated novel pasta shape, however. Forgive me, Signora Nigella.)
- Capellini with Scallops (Success in finding the novelty pasta! Yet I thought this not quite the best way to showcase beautiful scallops.)
- Radiatori with Sausage and Saffron (Another failure in the novel pasta game. And also a failure in including saffron. Despite these failures, the dish was quite delightful. The sweetness of passata is a pleasing counterpoint to the complexity of a good italian sausage.)
- Sweet Potato Tacos (I made this almost as a joke. I thought surely it would turn out awfully. Never has the gap between my expectations and the end result been so sizeable. I want to make this again. It just works.)
- Bashed Cucumber and Radish Salad (Simple and clean. I have, however, eaten so much of the garlic and black vinegar sichuan version of this salad that I felt this was a little too placid.)
- Coriander and Jalapeno Salsa and Red-hot Roast Salsa (These two salsas should be in everyone’s fridge. Yes the coriander salsa quickly loses its verdant quality and becomes a more murky shade, but the flavours, oh the flavours, remain intact. The red salsa is a fantastic variation on the theme of roast tomato salsa.)
- Coconut Shrimp (Real talk alert: You should make these. You should not, under any circumstances, make the suggested coconut yogurt dipping sauce. Serve these with some Kewpie mayonnaise or some hot sauce. Or combine kewpie, hot sauce and some yuzu juice. Just say no to the coyo in this case.)
- Lime and coriander chicken (Okay, but in light of the other more exciting recipies in this book I am not sure why you would nesscarily bother?)
- Cellophane Rolls (Ibid.)
- Slow Roast 5-spice lamb pancakes (this exceeded expectations to a sizeable degree. If I could make a suggestion, make up double and eat this for twice as long. Actually, let me make a further suggestion: make some pickled radishes to go with your pancakes. While hoisin and spears of scallion and cucumber get you almost to flavour heaven, the addition of a quick pickled vegetable has a profound transformative effect.)
Why this book?
- This is Nigella’s best book, potentially ever, but certainly since 2010’s Kitchen
- You want a personal take on Nigella’s view of food – one that celebrates the joy of food
- You want a collection of excellent and reliable recipes that balances the new with the familiar
|Nigella||█░░░░||Donna Hay||Attractive, evocative writing versus simple and direct?|
|Ottolenghi||░░░█░||Barefoot Contessa||Elaborate or involved recipes versus quick and easy?|
|Mark Bittman||█░░░░||Ferran Adrià||Can you cook the food every night or is it more specialist or obscure?|
|Gwyneth Paltrow||░░░█░||Nigel Slater||Do you see photos of the author or photos of the food?|
|#KonMari||█░░░░||Summer||And does it just spark joy?|
Nigella taught me not to be ashamed of liking food to the extent I do. Her writing has meant so much to me over the years. Her philosophy resonates with me in that it celebrates food and life and pleasure in a way that refuses to give quarter to shame.
And yet because I’ve rarely cooked from her books, I have always felt a little bit like a fraud for being such a Nigella booster. I am, then, incredibly happy to report that At My Table is not just a great Nigella cookbook, but it is a great cookbook full stop.